Identifier
|
Title
|
Level of description
|
Date
|
Digital object |
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1996-002/006(04) |
Tape labelled: Sugartime, hour 2 |
Item |
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1996-002/006(07) |
HBO Crime Inc. Series II: "Make it Legitimate," The Old Mob: The New" |
Item |
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1996-002/007(01) |
[Posse: “Dangerous Minds”] File labelled "International Introduction: New York"; includes Academy Awards Guidelines, accommodation rental contract |
File |
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1996-002/007(07) |
[Posse: “Dangerous Minds”] Publicity: director's extensive production notes about the evolution of the film; correspondence; working press kit selection |
File |
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1996-002/008(02) |
[Posse: “Dangerous Minds”] Acting coach |
File |
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1996-002/008(03) |
[Posse: “Dangerous Minds”] Assistant Director |
File |
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1996-002/008(05) |
[Posse: “Dangerous Minds”] Casting Director |
File |
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1996-002/008(07) |
[Posse: “Dangerous Minds”] Music Composers: contains notations re: artists approached about possible contributions |
File |
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1996-002/008(08) |
[Posse: “Dangerous Minds”] Costume Designer |
File |
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1996-002/008(15) |
[Posse: “Dangerous Minds”] Reviews and Feature Stories: Dangerous Minds (Posse) |
File |
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1996-002/009(01) |
[Posse: “Dangerous Minds”] Correspondence: letters and faxes regarding publicity, etc. |
File |
May-June, 1995 |
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|
1996-002/009(03) |
[Posse: “Dangerous Minds”] Correspondence: letters and faxes regarding publicity, reviews, etc. |
File |
Aug. 1995 |
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1996-002/010(01) |
Audiotapes (fourteen total): Posse ref. tape, alterantive #1; Posse ref. tape, alternative #2; Posse ref. tape, r&b, hip hop; Michelle's themes; Posse, media ventures; tape for John from editorial; Natalie music inc.; Posse, Mark Mancina mix; Jane Brockman; Posse, Mark Isham; David Schwartz; Terence Blanchard; Stewart Copeland; Cliff Eidelman |
File |
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1998-012/001(03) |
Dominion '95 Camp Meeting (tape 1) |
Item |
July 1995 |
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1998-012/001(05) |
Sam & Phyllis |
Item |
Aug. 1995 |
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1998-012/001(08) |
Dangerous Minds (tape 5) |
Item |
1995 |
|
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1998-012/001(10) |
Cast a Deadly Spell |
Item |
|
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|
1998-012/002(01) |
Sugartime |
Item |
June 1995 |
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1998-012/002(03) |
Sugartime (Cut A) |
Item |
Aug. 1995 |
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1998-012/002(04) |
Sugartime (Cut C) |
Item |
Sept. 1995 |
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1998-012/002(05) |
Sugartime (Cut D) |
Item |
Sept. 1995 |
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|
1998-012/002(06) |
Sugartime (Cut E) |
Item |
Sept. 1995 |
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1998-012/002(09) |
"Little Criminals" |
Item |
|
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|
1998-012/003(05) |
Welcome to Canada (part 1 of 2) |
Item |
Sept. 1997 |
|
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1998-012/003(06) |
Shay Duffin As Brendan Behan |
Item |
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1998-012/004(13) |
Danny Osmond's Greatest Hits, Frank Sinatra's Hits |
Item |
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1998-012/005(04) |
Baseball: A Film by Ken Burns |
Item |
1994 |
|
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|
1998-012/005(08) |
Baseball: A Film by Ken Burns |
Item |
1994 |
|
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1998-012/007(01) |
Archives |
File |
|
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1998-012/007(12) |
Affirmative Action |
File |
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1998-012/007(22) |
Heritage Minutes |
File |
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1998-012/007(27) |
Medical |
File |
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1998-012/007(29) |
Pornography |
File |
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1998-012/008(04) |
Suburbia |
File |
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1998-012/008(14) |
Resumes |
File |
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1998-012/008(15) |
Script Letters |
File |
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1998-012/009(04) |
Sugartime -- Cast Day-o-Days |
File |
|
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1998-012/009(05) |
Sugartime -- Misc. Schedules |
File |
|
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1998-012/009(06) |
Sugartime -- Set and Site Plans |
File |
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1998-012/009(08) |
Sugartime -- Crew List |
File |
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1998-012/009(09) |
Sugartime -- Cast List |
File |
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1998-012/009(13) |
Sugartime -- Memos |
File |
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1998-012/009(14) |
Dieppe -- Misc. |
File |
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1998-012/009(15) |
Dieppe -- Script |
File |
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1998-012/009(16) |
Dieppe -- Schedules |
File |
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1998-012/009(19) |
My Posse -- Misc. |
File |
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1998-012/009(20) |
My Posse -- Schedules |
File |
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1998-012/009(21) |
My Posse -- Script |
File |
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1998-012/009(24) |
The Shooter -- Screenplay |
File |
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1998-012/009(25) |
Lumiere dans la tempete -- Screenplay |
File |
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1998-012/009(31) |
Crystal |
File |
|
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1998-012/009(32) |
L.A. General |
File |
|
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1998-012/010(02) |
Hardball -- Post-Production Schedule |
File |
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1998-012/010(04) |
Hardball -- Beat Outline |
File |
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1998-012/010(19) |
Travel |
File |
|
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1998-012/010(20) |
Oakwood Apartments |
File |
|
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|
1999-018/001(04) |
[A Cool, Dry Place] First draft |
File |
Nov. 29, 1995 |
|
|
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1999-018/001(05) |
[A Cool, Dry Place] Second draft |
File |
Apr. 30, 1996 |
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|
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1999-018/001(06) |
[A Cool, Dry Place] First polish |
File |
May 12, 1996 |
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|
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1999-018/001(09) |
[A Cool, Dry Place] Revised draft |
File |
1997 |
|
|
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1999-018/001(17) |
[A Cool, Dry Place] Revised script |
File |
1997 |
|
|
|
1999-018/001(20) |
[A Cool, Dry Place] Draft -- Blue Revision |
File |
Apr. 23, 1997 |
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|
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1999-018/001(21) |
[A Cool, Dry Place] Draft -- Vince |
File |
May 20, 1997 |
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|
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1999-018/001(22) |
[A Cool, Dry Place] Old Script Pages |
File |
1997 |
|
|
|
1999-018/002(07) |
[A Cool, Dry Place] Archives [correspondence, notes, memoranda, etc.] |
File |
1997 |
|
|
|
1999-018/002(11) |
[A Cool, Dry Place] Call Sheets |
File |
1997 |
|
|
|
1999-018/002(19) |
[A Cool, Dry Place] Final Crew List |
File |
1997 |
|
|
|
1999-018/002(21) |
[A Cool, Dry Place] Letter Head |
File |
[1997?] |
|
|
|
1999-018/002(30) |
[A Cool, Dry Place] The Powder Room |
File |
[1997?] |
|
|
|
1999-018/002(31) |
[A Cool, Dry Place] Playback Stock Footage (Cool Dry) |
File |
1997 |
|
|
|
1999-018/002(36) |
[A Cool, Dry Place] Shooting Archives |
File |
1997 |
|
|
|
1999-018/002(38) |
[A Cool, Dry Place] Post Schedule |
File |
1997 |
|
|
|
1999-018/003(01) |
[A Cool, Dry Place] Screen Test Kids |
File |
1997 |
|
|
|
1999-018/003(09) |
[A Cool, Dry Place] [Streets] |
File |
1997 |
|
|
|
1999-018/003(13) |
Cool and Dry -- Black and White Contact Sheets |
File |
|
|
|
|
1999-018/003(18) |
[A Cool, Dry Place] Archives (Post-Production) |
File |
1997 |
|
|
|
1999-018/003(25) |
[A Cool, Dry Place] Fax Numbers |
File |
1997 |
|
|
|
1999-018/003(26) |
[A Cool, Dry Place] Final Crew List (Post-Production) |
File |
1997 |
|
|
|
1999-018/003(28) |
Cool Dry Music |
File |
1997 |
|
|
|
1999-018/003(34) |
[A Cool, Dry Place] Outgoing Memos (Post-Production) |
File |
1997 |
|
|
|
2010-034/006(46) |
The Englishman's Boy : dailies theatre arriving a screening 1924 movie day 44 + 45 Mon + Tue Oc 2 + 3 CR A258-267, B106 SR 52+53 DVD Oct 10 #1 |
Item |
2006 |
|
|
|
2010-034/006(49) |
The Englishman's Boy : Shoot Ricardo's stills : north side Fort Benton -cabin - livery - hotel - store |
Item |
2007 |
|
|
|
2010-034/006(50) |
The Englishman's Boy : Shoot Ricardo's stills : sets A |
Item |
|
|
|
|
2010-034/006(52) |
The Englishman's Boy : Ricardo's sets castle butte, native village, Farwell's post |
Item |
|
|
|
|
2010-034/006(53) |
The Englishman's Boy : Ricardo's sets still I Shorty's ranch + Shorty's ranch II |
Item |
|
|
|
|
2010-034/006(64) |
Love and Savagery : Hubbard Casting auditions |
Item |
10 Jan. 2008 |
|
|
|
2010-034/006(73) |
Martha Burns reading Mother Superior |
Item |
6 Mar. 2008 |
|
|
|
2010-034/007(04) |
Love and Savagery : jour 2 tape 4 - A16-21 |
Item |
|
|
|
|
2010-034/007(25) |
Love and Savagery : jour 19 tape 25 - A117-120 |
Item |
|
|
|
|
2010-034/007(27) |
Love and Savagery : jour 20 tape 27 - A123-126 |
Item |
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|
|
|
2010-034/007(33) |
Love and Savagery : jour 23 tape 33 - A146-156 |
Item |
|
|
|
|
2010-034/007(34) |
Love and Savagery : jour 23 + 24 tape 34 - A157-164 |
Item |
|
|
|
|
2010-034/007(35) |
Love and Savagery : jour 25 tape 35 - A165-172 |
Item |
|
|
|
|
2010-034/007(38) |
Love and Savagery : jour 28 tape 40 - A190-199 |
Item |
|
|
|
|
1994-039/043(26) |
[My Posse Don't Do Homework] Daily Reels 362-371, Transfer Date: [4/15/94], VHS, N.T.S.C. Dub |
File |
31 December 1994 |
|
|
|
1994-039/045(24) |
Justice 11, [Oct 12,13/89], VHS, Dynamicron |
File |
12-13 Oct. 1989 |
|
|
|
1994-039/020(01) |
"Angie I Says" by Todd Graff |
File |
|
|
|
|
1994-039/020(05) |
"By the Sea of Crystal", by Paul Shrader, (First Draft) |
File |
Feb. 1, 1993 |
|
|
|
1994-039/021(06) |
"Dead Sleep", by Scott Fields and John Stockwell, Rewrite by Amy "Holden Jones" |
File |
Mar. 27, 1994 |
|
|
|
1994-039/022(06) |
"Freak City", Screenplay by Jane Shepard |
File |
July 1994 |
|
|
