Identifier
|
Title
|
Level of description
|
Date
|
Digital object |
|
|
1998-038/012(07) |
Performances of others' by James Tenney |
File |
1990 |
|
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|
1998-038/012(08) |
Performances of James Tenney's music |
File |
1990 |
|
|
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1998-038/012(19) |
Performances of James Tenney's music |
File |
1982 |
|
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|
1998-038/012(20) |
Performances of James Tenney's music |
File |
1981 |
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|
1998-038/013(03) |
Awards and Writings about James Tenney : PRO/Am composer datacards, biographical American Academy |
File |
1981-1983 |
|
|
|
ASC17233 |
Tape Music - 1961 |
Item |
Feb.-Apr. 1961 |
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|
1998-038/025(07) |
Audio recordings : "Ergodos/2/4" second version original from stacked tapes |
File |
|
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1998-038/027(02) |
Audio recordings : A version "For Ann (rising)" |
File |
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1998-038/027(08) |
Audio recordings : "In the Aeolian Mode" (Japanese performance) |
File |
|
|
|
|
1998-038/028(01) |
Audio recordings : "Orchestral Studies," "Three Harmonic Studies", University of South Florida |
Item |
1974 |
|
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|
1998-038/028(03) |
Audio recordings : "Spectral Canon" for Conlon Nancarrow |
File |
|
|
|
|
1998-038/029(02) |
Audio recordings : "Harmonium #3" |
Item |
24 Nov. 1981 |
|
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|
1998-038/029(03) |
Audio recordings : "Chromatic Canon" : 1) 2 parts 2) 1st part only |
File |
|
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|
1998-038/029(04) |
Audio recordings : "Glissade" : 1)I-(IV cut short at end) 2) IV-V |
File |
|
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|
1998-038/029(08) |
Audio recordings : "Bridge" new reel masters from cassette of Music Gallery rehearsal |
File |
1 June 1984 |
|
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|
1998-038/030(05) |
Audio recordings : "Three Pieces for Mechanical Drum" : 1) "Wake" 2) "The Popcorn Effect" 3) "Tempest" |
File |
|
|
|
|
1998-038/030(07) |
Audio recordings : "Medea"-organized sound |
Item |
1960 |
|
|
|
1998-038/031(03) |
Audio recordings : "Quiet Fan for Erik Satie" |
File |
May 1970 |
|
|
|
1998-038/031(08) |
Audio recordings : "Saxony" Don MacMillan saxophone, Music Gallery : 1) performance tape 2) rehearsal tape |
File |
10 Apr. 1978 |
|
|
|
1998-038/032(06) |
Audio recordings : Bismillahi Rrahmahi Rrahim, 1974 tape ; "Butterfly Sunday," 1973 ; "Let us go into the house of the Lord," 1974 ; "Lirio," 1971 ; "Dragonfly Cymbal," 1973 ; "Sweet Earth Flying," Marion Brown, 1974 |
File |
23 Feb. 1977 |
|
|
|
1998-038/033(02) |
Audio recordings : "Phases" |
File |
Dec. 1963 |
|
|
|
1998-038/033(04) |
Audio recordings : "Saxony", David Mott studio recording May 1984, dub of "Voice(s)" but poor quality |
File |
May 1984 |
|
|
|
1998-038/034(01) |
Audio recordings : Charles Ives "Pianoforte Sonata #2" ; Side I : movements 1 and 2, Side II : movements 3 and 4 |
File |
|
|
|
|
1998-038/034(05) |
Audio recordings : Piano concert |
File |
9 Jan. 1976 |
|
|
|
1998-038/034(07) |
Audio recordings : Charles Ives, "Concord Sonata" with Linny Kammer |
File |
May 1974 |
|
|
|
1998-038/034(09) |
Audio recordings : Piano Recital, Denver : Brahms, Schoenberg, Bach, Beethoven |
File |
1955 |
|
|
|
1998-038/035(01) |
Audio recordings : Tone Roads West Percussion concert conducted by James Tenney : 1) Cage-"First Construction(in Metal)" 2) John Adams-"Always Very Soft" 3) Lou Harrison-"Canticle #3" |
File |
|
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|
|
1998-038/036(05) |
Audio recordings : Electronic and computer music 1) "Improvisations for Medea," 1961 2) "Collage#1 Blue Suede" 3) "Stochastic String Quartet" 1963 4) "Music for Player Piano" 1964 5) "Collage #2 Viet Flakes" 1966 |
Item |
1961-1966 |
|
|
|
1998-038/037(08) |
Audio recordings : 1) "Dialogue" (Tonal Stratum); "Ergodos 4" (original)(1st version) |
File |
1963 |
|
|
|
1998-038/038(02) |
Audio recordings : 1) "Seeds" (I-IV) for six instruments, 1956, Henry Brant-Bennington Composers Conference 2) "From the 'Blue Books'"-Bennington, 1956 3) "Dance Trio"-Bennington, 1957 4) "Essay #3 for Chamber Orchestra"-Brant, Bennington Composers Conference, 1957 5) "13 Ways of Looking at a Blackbird" (Wallace Stevens)-1958-Tenney-Bennington Composers Conference 6) "Sonata for Ten Wind Instruments," 1959 (revised version)-Tenney-Midwestern Composers Symposium 7) "Sonata ( for nine wind instruments)"-Paul Wolfe-Bennington Composers Conference, 1959 |
Item |
1956-1959 |
|
|
|
1998-038/038(06) |
Audio recordings : 1) "Analog #1 (Noise Study)," Dec. 1961 2) "Five Stochastic Studies," Oct.-Dec. 1962 3) "Stochastic Quartet," Feb. 1963 4) "Radio Piece," July 1963 5) "Dialogue" (monophonic version), April 1963 5) "Dialogue" (monophonic version), April 1963 |
Item |
1961 |
|
|
|
1998-038/038(07) |
Audio recordings : 1) "Analog #1-Noise Study," Dec. 1961 2) "Five Stochastic Studies," Dec. 1962 3) "Collage #2 ("Viet-Flakes")," Dec. 1966 for the film by Carolee Schneemann 4) "Fabric for Che," Nov. 1967 |
Item |
1961 |
|
|
|
1998-038/038(08) |
Audio recordings : Instrumental Music, 1956 to 1959 : 1) "Seeds (I-IV) for Six Instruments," 1956, Henry Brant conductor, Bennington Composers Conference 2) "Dance Trio" (flute, clarinet, oboe), 1957, James Tenney conductor, Bennington Students 3) Essay for chamber orchestra, 1957 Brant conductor, Bennington Composers Conference 4) "Thirteen Ways of looking at a Blackbird" (Wallace Stevens) James Tenney conductor, Bennington Composers Conference 5) "Sonata for 10 Wind Instruments," 1959, James Tenney conductor, Midwestern Composers Symposium (dedicated to Carl Ruggles) |
Item |
1956-1959 |
|
|
|
1998-038/039(02) |
Audio recordings : Instrumental Music by James Tenney, "Seeds" (1956/62), "Thirteen Ways of Looking at a Blackbird" (1957), "Quiet Fan for Eric Satie" (1970), "Clang" (1972) |
File |
1956-1972 |
|
|
|
1998-038/041(07) |
Audio recordings : Tone Roads rehearsal ; Ives : "Tone Roads #1 and #3" |
File |
|
|
|
|
1998-038/042(01) |
Audio recordings : Nancarrow Studies 46, 47, 48(a,b,c) |
File |
|
|
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|
1998-038/042(02) |
Audio recordings : Nancarrow Studies 49(a,b,c), 50, 2b, "Tango" |
File |
|
|
|
|
1998-038/042(03) |
Audio recordings : Nancarrow "Studies for Player Piano #1", "Sonatina" (1941), #1, #2, #2, #3(a,b,c,d,e), #4, #5, #6, #7 |
File |
1941 |
|
|
|
1998-038/042(05) |
Audio recordings : Nancarrow "Studies for Player Piano #2" #8-#19 |
File |
|
|
|
|
1998-038/042(07) |
Audio recordings : Nancarrow "Studies for Player Piano" #20-#27 |
File |
|
|
|
|
1998-038/043(04) |
Audio recordings : Tenney - "Chorales for Percussion" |
Item |
|
|
|
|
1998-038/043(06) |
Audio recordings : Morton Feldman "For John Cage" (1982), violin: Paul Zukofsky, Piano: Aki Takahashi |
File |
1982 |
|
|
|
1998-038/045(04) |
Audio recordings : Woodwind Quintet Symphony (direct copy) |
File |
|
|
|
|
1998-038/046(01) |
Audio recordings : First day from New Paltz, New York to Winchester, Virginia (last half private) |
File |
8 July 1968 |
|
|
|
1998-038/046(03) |
Audio recordings : Third- Knoxville to Little Rock |
Item |
|
|
|
|
1998-038/046(04) |
Audio recordings : #4A Thurs. before Little Rock - Albuquerque |
File |
|
|
|
|
1998-038/046(08) |
Audio recordings : #6B- Thatcher to Phoenix |
File |
15 July 1968 |
|
|
|
1998-038/046(12) |
Audio recordings : Talking with Carl and Helen, Tuesday |
File |
|
|
|
|
1998-038/046(13) |
Audio recordings : First half Phoenix beginning, second half, Denver Mother July 24 |
File |
|
|
|
|
1998-038/047(02) |
Audio recordings : 9-B, Phoenix, July 19, second tape |
File |
|
|
|
|
1998-038/047(03) |
Audio recordings : 9-C, Phoenix, July 19, third tape |
File |
|
|
|
|
1998-038/047(13) |
Audio recordings : #8 |
File |
|
|
|
|
1998-038/047(14) |
Audio recordings : #9 |
File |
|
|
|
|
1998-038/047(15) |
Audio recordings : #10 |
File |
|
|
|
|
1998-038/048(01) |
Audio recordings : #12 |
Item |
|
|
|
|
1998-038/048(02) |
Audio recordings : #12 Denver, July 24 |
Item |
|
|
|
|
1998-038/048(05) |
Audio recordings : "Ann Rising", I, #1 |
Item |
|
|
|
|
2000-045/001(27) |
Programmes |
File |
1985-1989 |
|
|
|
2000-045/002(02) |
Programmes |
File |
1995-2000 |
|
|
|
2000-045/002(04) |
Programmes |
File |
1995-2000 |
|
|
|
1978-018/005(02) |
Typescripts, 1954-1975 : Choregram |
File |
1964 |
|
|
|
1998-038/004(01) |
About composers : Conlon Nancarrow, correspondence |
File |
1974-1989 |
|
|
|
1998-038/004(03) |
About composers : Conlon Nancarrow, article |
File |
1977 |
|
|
|
1998-038/004(04) |
About composers : Conlon Nancarrow, interview |
File |
1968 |
|
|
|
1998-038/004(05) |
About composers : Conlon Nancarrow, Arch St. liner notes original writing |
File |
1977 |
|
|
|
1998-038/004(09) |
About composers : John Cage |
File |
1954-1989 |
|
|
|
1998-038/004(15) |
About composers : Charles Ives |
File |
1974-1988 |
|
|
|
1998-038/005(02) |
Theory : Bell clang |
File |
1963 |
|
|
|
1998-038/005(06) |
Theory : National Science Foundation Grant Report, draft |
File |
1966-1977 |
|
|
|
1998-038/005(09) |
Theory : Experimental investigation of timbre |
File |
1964 |
|
|
|
1998-038/006(05) |
Theory : Computer printouts for "Model" paper |
File |
1978 |
|
|
|
1998-038/006(07) |
Theory : Originals for short versions of "Temporal Gestalt Model" paper |
File |
|
|
|
|
1998-038/006(10) |
Theory : Clifton review original |
File |
|
|
|
|
1998-038/006(11) |
Theory : Book review by James Tenney on "Music as Heard: A Study in Applied Phenomenology", written by Thomas Clifton |
File |
1984 |
|
|
|
1998-038/007(05) |
Research : Biology, Reich-Negentropy |
File |
1963-1965 |
|
|
|
1998-038/007(09) |
Research : Computer projects |
File |
1964 |
|
|
|
1998-038/007(10) |
Research : 6x6 to 1" graph paper, timbre instruments materials |
File |
|
|
|
|
1998-038/007(16) |
York University : memos re. music studies |
File |
1988-1989 |
|
|
|
1998-038/007(19) |
York University : 4110 (fourth year composition course) |
File |
1982-1989 |
|
|
|
1998-038/007(20) |
Note : Politics |
File |
1967 |
|
|
|
1998-038/008(05) |
Electronic Music : Electronic music studio, Tulane University |
File |
1966 |
|
|
|
1998-038/009(07) |
"A History of 'Consonance' and 'Dissonance'", Part one, revision copy |
File |
1980 |
|
|
|
1998-038/024(01) |
Nancarrow, notes |
File |
|
|
|
|
1998-038/024(03) |
Analytical notes, Cage works |
File |
|
|
|
|
1998-038/024(06) |
Schoenberg, "Suite Op. 25" |
File |
|
|
|
|
1998-038/024(07) |
Notes for research reports and article: "Hierarchical Temporal Gestalt Perception" |
File |
[1976-1978?] |
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