Showing 111 results

File consists of photographs of Wieland and three others, including Michael Snow, taking photographs and posing in a snowy field. Wieland is wearing a coat with a fur-trimmed hood and snowshoes, with a camera around her neck.

File consists of Polaroid photographs of scenery and buildings, an unidentified man, Michael Snow and Joyce Wieland.

File consists of two photographs of Wieland posing with her film camera against a white backdrop.

File consists of photographs of Wieland and friends on holiday in Turkey and/or Greece, including images of Wieland on a boat and on a beach.

File consists of photographs of Joyce Wieland, Art Eggleton, Susan (Crean?) and others at a ceremony awarding Wieland with a Toronto Arts Council award. They are posing with framed photographs of Wieland at her 1987 Art Gallery of Ontario retrospective. Photographs are accompanied by a letter from Toronto Arts Council executive director Rita Davies.

File consists of three photographs of Wieland with unidentified people at a social gathering. An annotation on the verso of one photograph reads: “Joyce Wieland teaching at SFC, one month, 2 years ago”.

File consists of an assortment of Polaroid photographs of Wieland, Phyllis Lambert and others, as well as landscape and flower images.

File consists of assorted photographs of Wieland as a young woman, as well as photographs of friends.

File consists of photographs of an unidentified man and a photograph of this man with Joyce Wieland. One image shows the man standing in front of a Michael Snow “Walking Woman” painting in Oct. 1965

File consists of two photographs of Wieland with blond hair, wearing a hat and a coat with a fur collar.

File consists of photographs of Michael Snow, Joyce Wieland and others at an exhibition featuring Snow’s paintings.

File consists of three photographs of Joyce Wieland taken at a drawing workshop held at St. Michael's Printshop in St. Michael's, Newfoundland, 27 July to 8 August 1980, and a handwritten note by Joan Malcolmsen describing the contents and providing the context of each of the photographs.

File consists of a photograph of Wieland, Lambert and an unidentified man having a picnic, accompanied by a note on Canadian Centre for Architecture stationery.

File consists of a print and negative of the same image, which depicts Wieland and Snow seated together, with two unidentified men.

Item is a photograph of Wieland with an unidentified woman standing in front of Bloor Cinema’s marquee, which reads in part “Joyce Wieland retrospective” film.

Item is a photograph of Wieland with others sitting around an outdoor dining table.

Item is a photograph negative of an unattributed abstract painting.

File consists of one painting and two sketches by Joyce Wieland of Bryan Barney and one additional sketch by Wieland.

Item is a contract sheet of photographs taken in a studio at 507 King St. East in Toronto, featuring Wieland working on and posing in front of a large painting of a woman leaping.

Item is a wall hanging entitled "Ode to Joyce" featuring circular embroidered pieces with symbols and expressions relevant to Wieland's life.

File consists of Polaroid photographs of Newfoundland scenery and people posing, taken while Wieland was visiting St. Michael’s Printshop.

File consists of a random assortment of photographs of Wieland alone, Wieland with friends, and of the friends and family of Wieland.

Item is a cropped contact sheet featuring images of a woman’s hand holding a magnifying glass over a notice for Michael Snow’s Walking Woman Works show at The Isaacs Gallery in April 1966.

File consists of photographs of Wieland and others celebrating her birthday outdoors at Betty Ferguson’s property.

Item is a photo album created by Wieland’s friend Phyllis Lambert. Photographs depict Wieland and attendees at her birthday celebration in June 1990.

File consists of photographs of Wieland standing in front of two of her quilts.

The collection consists of materials related to Joyce Wieland acquired from various sources. Records include a small amount of correspondence; obituary notices and program for the Wieland funeral; press clippings and articles on the work of Joyce Wieland; photographs of Wieland, her friends and family; personal ephemera relating to Wieland; photographs taken at a drawing workshop led by Wieland in St. Michael's, Newfoundland; records and scripts pertaining to Wieland's film "The Far Shore" as well as notes by Wieland about the film; photographs used in the Jane Lind biography of Wieland; small works of art done by Wieland such as sketches, drawings and paintings.

Item consists of images of artwork and of Wieland and an unidentified man in a studio, holding photos of their faces in front of their faces

File consists of photographs of Wieland posing in her studio and with a large painting of a pond.

File consists of two images of Wieland wearing a fur coat and snow shoes. One image is available in two sizes, and the other image is available as a print or negative.

Item is a photograph of Wieland sitting in a garden. The annotation on the verso of the photo reads: “Joyce as Empress Josephine (1987). Joyce’s friend’s son making a film (Munro, son of Betty Ferguson).”

Item is a photograph of Wieland standing in front of paintings at her 1981 show at the Isaacs Gallery.

File consists of photographs of Wieland posing in front of the stone archways of an unidentified bridge.

File consists of contact sheets featuring photographs of Wieland, Michael Snow and many others, documenting the installation and opening of Wieland’s show, “True Patriot Love”, at the National Gallery of Canada.

File consists of Polaroid photographs of scenery, industry and workers around Turner Valley and Rocky Mountain House, Alberta.

Item is a publication produced by Canada House in London, England, pertaining to its retrospective of Joyce Wieland’s films held in Jan.-Feb. 1988.

File consists of cards removed from a wallet belonging to Wieland, including two copies of her birth certificate (card), an Ontario Health Card, a Toronto Transit Commission photo card, and Mackenzie Art Gallery membership card.

File consists of photographs of Wieland as a baby and child, as well as images of her sister Joan as a child and young woman, her brother Sid, and other unidentified people. Some items in this file are enlarged reproductions of original photo prints that are also in the file.

File consists of correspondence regarding the transfer of power-of-attorney for the Wieland estate; press clippings and articles on the work of Joyce Wieland; 1 black and white photograph of Pierre Trudeau; 1 colour photograph of Joyce Wieland at Montague Farm, Albion Hills (1993) as part of the Arts & Letters Sketch Club

File consists of correspondence exchanged between Wieland and Joyce Zemans pertaining to a variety of topics, including Zemans’ research and Wieland’s participation in York University events including the first Wendy Michener symposium, held at Founders College on 22 Oct. 1987. Also included in the file is a Wendy Michener Symposium poster and invitation, memoranda, travel invoices, and a schedule for a York University Faculty of Fine Arts Women in Art seminar series.

Item is a document entitled “Use of photographs” typed on Corrective Films letterhead.

File consists of photocopies of articles written by Michener as well as her Globe and Mail obituary.

File includes a undated postcard written by Wieland (but not sent) to friend Violet Takashima, likely written while Wieland was touring France in 1953.

Item is a personalized astrological chart created for Wieland in 1984.