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Accession consists of: booklets containing student projects edited by Judith Rudakoff, “Questionable Activities: Canadian Theatre Artists Interviewed by Canadian Theatre Students,” 3 vols., 1997-1998, and “Telling Tales out of School,” a series of one-person performances created by students of Judith Rudakoff’s Playwriting and New Play Dramaturge classes, 2006-2009; articles about Judith Rudakoff, 1990-2001; correspondence regarding the University of Cape Town, 2016; syllabus for a dramaturgy course, 1988; conference papers, 2006-2011; conference booklets and related documents; correspondence regarding acceptance of Judith Rudakoff’s PhD dissertation by the University of Toronto, 1983; teaching award nominations; playwriting files; issues of Toronto Free Press, 1984-1989; award notices and nominations, 1984-2015; scripts for “Not Having,” “The Straw Hat – The Musical,” “The River,” and “Home is not a place” (the last two plays written with Judith Skelton and Joseph Tisga); and files supporting Judith Rudakoff’s academic promotion, 2003.
File consists of photocopies of journal articles, newspaper articles and one issue of TV Guide that contain articles about Rudakoff or are written by her.
File consists of correspondence pertaining to research grants and merit awards given to Rudakoff.
File consists of a workshop and reading agreement with the Papermill Theatre, Toronto.
File consists of edited drafts and final copies of conference papers presented by Rudakoff including “Exceeding Reach/Excluding Risk: The Ashley Plays (Cuba)” and “Canada’s fu-GEN Theatre: The Next Wave of Asian Canadian Performance.”
File consists of two versions of the paper “Common plants: cross-pollination in hybrid realities.” One version was for a conference in Saskatoon, Saskatchewan, and the second, Helsinki, Finland.
File consists of edited typescript lectures and conference proposals. The papers are “Faux Arts or Beaux Arts: Nina Arsenault and the Possibilities of the New,” “Longing and Belonging in the Urban Landscape: Who am I and Where is Here?,” “Faux Arts, Beax Arts and the Myopia of Knowledgeability: Dramaturging in CyberSite Specific Work,” “Common Plants: Cross-pollinations in Hybrid Realities Iqaluit and the Ashley Plays” and “Chekhov’s Cherry Orchard: The Breaking Point.”
File consists of edited typescript lectures and conference programs. The papers are “Home Is Not A Place: Dramaturging Transcultural Physical Theatre,” “Faux Arts or Beaux Arts: Nina Arsenault and the Artist as Art [and Nina Arsenault and the Possibilities of the New]” and “Longing and Belonging in the Urban Landscape: Who am I and Where is Here?”
File consists of edited typescript lectures and conference programs. The papers are “Home/Less/Ness Panel: Ghosts, Aliens and Murdered Girls: Shadows in Whitehorse,” and “[New] GENeration Playwrights [sic]: Silence, Secrets and the Lack of Knowledge.”
File consists of edited drafts and final copies of conference papers presented by Rudakoff including “I am a War, My Voice is a Weapon,” “Bridges and Boundaries: Locating Work and Process,” “Difficult Dialogues: Theatre and the Art of Engagement,” and “Provoking HyPerformances on the Web: Photobiography, Lomograss and Devising CyberSite Specific Work
File consists of edited drafts and final copies of conference papers presented by Rudakoff including “Longing and Belonging in the Urban Landscape: Who am I and Where is Here?” and “Challenging Assumptions: Designing and Applying Transcultural/transdisciplinary Dramaturgical Methodologies.”
File consists of the Canadian Association for Theatre Research conference program and copy of the paper “Canada’s fu-GEN Theatre: The Next Wave of Asian Canadian Performance,” delivered by Rudakoff at the conference. Included is an abstract for a panel presentation called “Home/less/ness: Stories of Longing and Belonging” from an unknown conference.
File consists of a course syllabus with updates and proposals for special projects.
File consists of an edited script written by Rudakoff, David Skelton and Joseph Tisiga.. This script title changes in later drafts to “The River.”
Fonds consists of records created and received by Judith Rudakoff throughout her career as a playwright and professor, including personal and professional correspondence, subject files, note cards related to her PhD thesis, files related to her continued work on Cuban theatre and notes, drafts, correspondence, and other material related to many of her works, among them "Interplay: Sex, Gender and Violence in Canadian Theatre," "Dangerous Traditions: A Passe Muraille Anthology," "Between the Lines: The Process of Dramaturgy," "Revealed by Fire," "The River," and "Soraab-Mirage."
Rudakoff, JudithFile consists of typescript lecture Rudakoff delivered at York University called “Mythological Aspects of the Feminine in Canadian Plays: Voices from the Dark.”
File consists of six letters from scholars and colleagues from around the world in support of Rudakoff’s nomination for the Elliott Hayes Award.
File consists of conference programs, donation letters and receipts, a theatre production program, awards ceremony program, and publishing information for “Fair Play: 12 Women Speak,” by Judith Rudakoff and Rita Much.
File consists of an edited copy and one draft copy of the script “Not Having” written by Rudakoff.
File consists of an edited copy and two draft copies of the script “Not Having” written by Rudakoff.
File consists of three drafts of the script “Not Having” written by Rudakoff.
File consists of a copy of the script “Not Having” written by Rudakoff.
File consists of the script “Not Having” written by Rudakoff. Included is a program for “Not Having” from the Playwrights’ Workshop, Montreal.
File consists of a letter from the School of Graduate Studies at the University of Toronto with notice of thesis acceptance, and copy of the program of the final oral examination for the degree of doctor of philosophy.
File consists of photographs of Rudakoff including York University Convocation, 2003, at the Questionable Activities book launch, 1977, acting in a Gord Pengilly play in Edmonton, Alberta, 1976, and at the Dora Mavor Moore Awards where ‘UBU’ won.
File consists of a postcard and short note from Linda Griffiths, and postcard from “Rod” travelling in Egypt. Also includes a postcard from Buddies in Bad Times Theatre with text by Rudakoff, and note with images of birch trees that includes a piece of real birch tree bark.
File consists of one issue of Excalibur, York University’s community newspaper, volume 43, issue 06.
File consists of three volumes of compilations of interviews with professional theatre artists conducted by theatre students, edited by Judith Rudakoff and published by the Playwrights Union of Canada, Toronto.
File consists of scripts, playbills, clippings, and publicity material for the productions “Soraab-Mirage” and “Revealed by Fire.” Rudakoff is credited as dramaturg and playwright for both productions.
File consists of the application form from the York University Senate Committee on Teaching and Learning (SCOTL) for the University-Wide Teaching Award for 1996. Included are nomination letters and letters of support for Rudakoff to receive the award.
File consists of the application form from the York University Senate Committee on Teaching and Learning (SCOTL) for the University-Wide Teaching Award for 1998. Included is a copy of Rudakoff’s curriculum vitae, nomination letters and letters of support for her receiving the award.
File consists of four volumes of one-person performances created by Rudakoff’s students in playwriting and new play dramaturgy classes at York University.
File consists of newspaper issues that highlight programs and performances that list Rudakoff in various roles. Issues included are volume 5, no. 3-5 plus a special programme issue. Volume 6, no. 1 is the Stage Free Press.
File consists of an edited script written by Rudakoff, David Skelton and Joseph Tisiga.
File consists of a script written by Rudakoff, David Skelton and Joseph Tisiga.
File consists of an edited script written by Rudakoff, David Skelton and Joseph Tisiga.
File consists of an edited script written by Rudakoff, David Skelton and Joseph Tisiga.
File consists of an edited script written by Rudakoff, David Skelton and Joseph Tisiga.
File consists of an edited script written by Rudakoff, David Skelton and Joseph Tisiga.
File consists of newspaper articles and ephemera pertaining to the production of “The River,” specifically its run at the Yukon Arts Centre Studio at Nakai Theatre in Whitehorse. File also consists of postcards and greeting cards from the Yukon. “The River” was written by Rudakoff, David Skelton and Joseph Tisiga.
File consists of a partial script and sheet music for “The Straw Hat Music Show.”
File consists of original and subsequent draft scripts for “The Straw Hat Music Show.”
File consists of playbills and pamphlets for performances by or written by Rudakoff. Included are articles written about her.
File consists of newspaper issues that highlight programs and performances that list Rudakoff in various roles. Issues included are volume 1, no. 1-4 and volume 2, no. 1-3.
File consists of newspaper issues that highlight programs and performances that list Rudakoff in various roles. Issues included are volume 3, no. 2-3 and volume 4, no. 1 (two versions) plus three special programme issues.
File consists of newspaper issues that highlight programs and performances that list Rudakoff in various roles. Issues included are volume 4, no. 2-4 and volume 5, no. 1-2. The Toronto Free Press became The Free Press for volume 4, no. 3.
File consists of an annotated script of “UBU Roi” or “UBU the King” by Alfred Jarry.
File consists of a letter from the University of Cape Town (UCT), South Africa, inviting Rudakoff to attend a 2-week residency as visiting-scholar/artist in the drama department.
File consists of publicity material, playbills and theatre season programs that include performances by Nina Arsenault, dramaturgy by Rudakoff, “I was Barbie” and “The Silicone Diaries.” Included is publishing information for the book “Trans(per)forming Nina Arsenault: Body of Work, Body of Art,” edited by Rudakoff.
File consists of student evaluations and letters from colleagues regarding Rudakoff’s academic promotion.
Item consists of recording of the production “Revealed by Fire,” Long Shot [possible theatre name], by Sampradaya Dance Creations. The recording is support material for Rudakoff’s academic promotion.
Item consists of recording of “Soraab-Mirage” at the Premiere Dance Theatre, Toronto, by Sampradaya Dance. The recording is support material for Rudakoff’s academic promotion.
Item is sound files of the narrator and background sounds and music in the production “Soraab-Mirage,” play text and developmental dramaturgy by Rudakoff. The recording is part of supporting material for her academic promotion.
File consists of programs, brochures, reviews and articles for productions involving Rudakoff in support of her academic promotion.
File consists of programs, brochures, and an article about Rudakoff in support of her academic promotion.
File consists of course outlines, copies of published articles written by Rudakoff, award nomination correspondence, and course polls and data from students in support of her academic promotion.
File consists of material related to Rudakoff’s published books, videos, photographic documentation, programs and brochures, reviews and articles, and examples of lomograms, in support of her academic promotion.