Identifier
|
Title
|
Level of description
|
Date
|
Digital object |
|
2017-036/001(03) |
Documentary Imagination |
File |
2005-2006 |
|
|
2017-036/001(05) |
Marconi |
File |
2007-2008 |
|
|
2017-036/001(10) |
CBC Ideas : transcripts |
File |
1982-2000 |
|
|
2017-036/002(12) |
The Camera-Eye and the Film : notes on a sequence from Man with a Movie Camera |
File |
1979 |
|
|
2017-036/002(13) |
Vertov anthology : photocopies |
File |
1978-1979 |
|
|
2017-036/003(07) |
Prentice Hall Canada |
File |
1989-1992 |
|
|
2017-036/004(02) |
Solaris, Andrei Tarkovsky : North American premiere |
File |
1989 |
|
|
2017-036/004(05) |
Peace between man and machine' |
File |
1998 |
|
|
2017-036/004(08) |
Vertov paper |
File |
2005 |
|
|
2017-036/004(09) |
Walking with Dinosaurs |
File |
2003 |
|
|
2017-036/005(05) |
Le Documentaire se Fete / A Salute to the Documentary : Montreal |
File |
1989 |
|
|
2017-036/006(01) |
Nanook of the North : Flaherty, Fatty Arbuckle, and the Invisible Bride |
File |
2008 |
|
|
2017-036/006(07) |
INFA 1900 : Social and Philosophical Movements in the Arts |
File |
1988-1989 |
|
|
2017-036/006(10) |
FSAC Victoria |
File |
2013 |
|
|
2017-036/006(11) |
Film/Imagemaking workshop at media study, Buffalo |
File |
1972-1974 |
|
|
2017-036/007(01) |
Bibliography : index cards |
File |
1977 |
|
|
2017-036/007(02) |
Bibliography : index cards |
File |
1977 |
|
|
2017-036/008(02) |
En utstallning I mars 1974 : Svenska Filminstitutet - Filmklubben |
Item |
Mar. 1974 |
|
|
2017-036/008(05) |
Cinethique 15 |
Item |
1972 |
|
|
2017-036/008(07) |
Ethos, vol. 8, no. 21 |
Item |
27 Feb. 1975 |
|
|
2017-036/008(10) |
Sight and Sound, vol. 43, no. 4 |
Item |
1973 |
|
|
2017-036/009(11) |
Ideas Message #2 |
Item |
1988 |
|
|
2017-036/009(16) |
John Dewey #2 |
Item |
1990 |
|
|
2017-036/010(04) |
Four Men & a Chair #2 |
Item |
1992 |
|
|
2017-036/010(08) |
Frontier #1 |
Item |
1993 |
|
|
2017-036/010(17) |
Cinema #1 |
Item |
1995 |
|
|
2017-036/010(22) |
Wagging the Post Modern Dog : hour #1 |
Item |
1998 |
|
|
2017-036/010(25) |
"We the Animals" 1 |
Item |
2000 |
|
|
2017-036/010(26) |
"We the Animals" 2 |
Item |
2000 |
|
|
2017-036/010(38) |
Linda Troust ; David Lampe : R. Hood : Seth |
Item |
2001 |
|
|
2017-036/010(40) |
Stephen Knight : R. Hood : Seth |
Item |
2001 |
|
|
2017-036/010(42) |
Tom Hahn ; R. Hood : Seth |
Item |
2001 |
|
|
2017-036/011(04) |
Termini Station |
Item |
1989 |
|
|
2017-036/011(09) |
Close-up : a matter of pride |
Item |
[ca. 2002] |
|
|
2017-036/011(14) |
Memento Mori |
Item |
2012 |
|
|
2017-036/012(01) |
Caribou Country "Sara's Copper" |
Item |
1998 |
|
|
2017-036/012(02) |
Another Point of View : Road to Avonlea |
Item |
1992 |
|
|
2017-036/012(03) |
Moments in Time : Tell Them the Streets are Dancing |
Item |
1998 |
|
|
2017-036/012(05) |
Come on Children |
Item |
[ca. 2002] |
|
|
2017-036/012(08) |
John Sandford's Mind Prey |
Item |
1999 |
|
|
2017-036/012(10) |
Norman Jewison @ York University : tape 2 |
Item |
2000 |
|
|
2017-036/013(02) |
MA MRP : "Hidden Power" : Atomic Energy Documentaries at the National Film Board of Canada ; by Jeremy David Mathers |
File |
2012 |
|
|
2017-036/013(03) |
MA MRP : Documentaries and Broadcasting in the Canadian Context ; by Samantha Hodder |
File |
2009 |
|
|
2017-036/013(11) |
Notes |
File |
[ca. 2001]-2002 |
|
|
2017-036/014(02) |
Allan King research material |
File |
[ca. 2002] |
|
|
2017-036/014(06) |
Jim & Grace : manuscript |
File |
[ca. 2008] |
|
|
2017-036/001(01) |
Syllabi |
File |
2009-2015 |
|
|
2017-036/001(02) |
Tiger Child shot list |
File |
2011 |
|
|
2017-036/001(06) |
Supporting documentation for application for full professor : CBC Ideas transcripts |
File |
2001 |
|
|
2017-036/002(01) |
Vertov filmography |
File |
[ca. 1979] |
|
|
2017-036/002(02) |
G.K. Hall |
File |
1977-1981 |
|
|
2017-036/002(04) |
Cinema Weekly and Cinema Truth : two labours in the birth of Soviet Montage : drafts & final |
File |
1974 |
|
|
2017-036/002(08) |
Dziga Vertov : biographical background |
File |
[after 1972] |
|
|
2017-036/002(09) |
Vertov newsreels II |
File |
[ca. 1973] |
|
|
2017-036/002(11) |
Enthusiasm |
File |
1970-1981 |
|
|
2017-036/003(04) |
Kino-pravda 15 + 18 |
File |
1970-1979 |
|
|
2017-036/003(05) |
Stride, Soviet! |
File |
1970-1980 |
|
|
2017-036/003(08) |
Intro text |
File |
1989-1992 |
|
|
2017-036/003(10) |
Guglielmo Marconi, ISA Topic, Bologna |
File |
2009 |
|
|
2017-036/003(11) |
3 Cities : SSHRC |
File |
2007 |
|
|
2017-036/003(13) |
Expo '67 meeting agenda |
File |
2009 |
|
|
2017-036/004(10) |
Dissertation : Evolution of style in the early work of Dziga Vertov |
File |
1977 |
|
|
2017-036/004(11) |
Dziga Vertov and the Soviet Cinema, Peter Thon |
File |
[ca. 1971] |
|
|
2017-036/005(02) |
SSHRC : Wireless communications and the Marconi Galaxy |
File |
2008 |
|
|
2017-036/005(04) |
Dziga Vertov research material |
File |
1970-1980 |
|
|
2017-036/006(02) |
The Past on Display : Museums, Film Musealization : Canadian Centre for German & European Studies |
File |
2011 |
|
|
2017-036/006(08) |
"The Kid Who Couldn't Miss" : Film Studies Association of Canada, Brock University |
File |
2014 |
|
|
2017-036/007(03) |
Microfilm : The Clarion, University of Western Ontario |
File |
1979 |
|
|
2017-036/008(03) |
Film Library Quarterly, vol. 7, no. 3 & 4 |
Item |
1974 |
|
|
2017-036/008(09) |
Point of View, no. 39 |
Item |
2000 |
|
|
2017-036/008(13) |
Canadian Images : a festival of Canadian film |
File |
1983 |
|
|
2017-036/008(15) |
Take One : the film magazine vol. 2, no. 10 |
Item |
1970 |
|
|
2017-036/009(02) |
Buster Keaton : lecture |
Item |
2002 |
|
|
2017-036/009(05) |
Woody Allen + Francis Ford Coppola : lecture |
Item |
2003 |
|
|
2017-036/009(08) |
Red Flares : hour three |
Item |
1985 |
|
|
2017-036/009(09) |
Golgotha #1 |
Item |
1987 |
|
|
2017-036/009(10) |
Ideas Message #1 |
Item |
1988 |
|
|
2017-036/009(12) |
There Go the 80s #1 |
Item |
1989 |
|
|
2017-036/009(13) |
There Go the 80s #2 |
Item |
1989 |
|
|
2017-036/010(03) |
4 Men & a Chair #1 |
Item |
1992 |
|
|
2017-036/010(05) |
Middle Class #1 |
Item |
1993 |
|
|
2017-036/010(06) |
Middle Class #2 |
Item |
1993 |
|
|
2017-036/010(11) |
Talk TV #2 |
Item |
1994 |
|
|
2017-036/010(12) |
Perfect Machines : The Canoe |
Item |
1995 |
|
|
2017-036/010(14) |
Universities #2 |
Item |
1995 |
|
|
2017-036/010(18) |
Cinema #2 |
Item |
1995 |
|
|
2017-036/010(20) |
NYC I |
Item |
1998 |
|
|
2017-036/010(21) |
NYC II |
Item |
1998 |
|
|
2017-036/010(24) |
Hunting for Robin Hood |
Item |
2001 |
|
|
2017-036/010(27) |
Darwin : hour 3 |
Item |
2009 |
|
|
2017-036/010(41) |
Tom Ohlgren ; Sharon Lux : R. Hood : Seth |
Item |
2001 |
|
|
2017-036/011(05) |
Bjorn's Inferno, The Sound of Christopher Plummer |
Item |
[ca. 2002] |
|
|
2017-036/011(10) |
Running Away Backwards, Ready for Slaughter |
Item |
[ca. 2002] |
|
|
2017-036/011(15) |
York U Hillel YFS protest |
Item |
2009 |
|
|
2017-036/011(17) |
On the Road |
Item |
2004 |
|
|
2017-036/011(18) |
Breathtaking |
Item |
2009 |
|
|
2017-036/011(19) |
G.O.R.A. |
Item |
2004 |
|
|
2017-036/011(20) |
Son of the Man who Saved the World |
Item |
2004 |
|
|
2017-036/011(21) |
Down with the Romans |
Item |
2004 |
|
|
2017-036/011(23) |
Reflections on the Unimaginable : A multi-media rendering of three cities hosting the Holocaust |
Item |
2008 |
|
|